008- Tatum Lorway

In the eighth chapter of the '13th Hour', we delve into an enthralling conversation with the emerging artist Tatum Lorway, a captivating storyteller who regularly welcomes viewers into her world through her evocative illustrations. While her artwork often exudes a moody and contemplative essence, it stands in striking contrast to her vibrant and cheerful personality, which we delve deeper into in this week’s interview.

Throughout our exchange, we explore a plethora of topics, gaining insight into the picturesque state of Michigan and Tatum’s renowned blueberry muffins. We uncover details about her impressive mural creations and her aspirations in editorial work. Our discussion also meanders through the intriguing realm of Greek mythology and the ancient civilization of Greece, while contemplating enigmatic figures like the Mona Lisa and speculating on her innermost thoughts. All of this and more awaits in yet another captivating chapter.

1 - At 13am, we aim to celebrate and showcase a broad range of creative roles, disciplines and skillsets. How would you describe yourself and your role within the creative world to those unfamiliar with yourwork?

I would describe myself as an illustrator who loves blending graphic and representational elements in my art. However, I'd also consider myself a storyteller, albeit in a more romanticized sense. I am passionate about depicting legends, myths, and stories in my illustrations, aiming to evoke as much emotion as possible while offering the viewer only a glimpse into the world I create. Although most of my recent works have been digital, I also thoroughly enjoy integrating traditional art methods, either during the process or in the final portrayal.

2 - Another aspect that sets 13am apart is our commitment to diversity and representation among our artists. Could you share a bit about your background and where you call home?

I was born and raised on the east side of Michigan, just below the 'thumb' of our state, in Clinton Township, Michigan, USA. I attended high school at Chippewa Valley High School and later pursued my education at the College for Creative Studies in Detroit, Michigan. It was in Detroit that I was truly exposed to art and found many inspiring teachers and influences during my four years of residency there. Detroit possesses soul, life, and energy, although I wouldn't necessarily say that the bustling city life is for me. Fortunately, Michigan offers a diverse range of experiences as you traverse its regions.

The northern part of our state is lush with forests and waterfalls, boasting beautiful beaches along the Great Lakes and trails abundant with wildlife. In contrast, the southern half comprises a blend of cities and suburbs. Michiganders themselves are known for their unwavering loyalty, embodying a melting pot of diverse cultures and beliefs while remaining resilient in the face of adversity.

Though I am an explorer at heart and yearn to see more of the world, I know that a piece of Michigan will always reside within my soul, regardless of where I may end up. The ties to such a wonderful place never unravel, and I encourage anyone who hasn't yet visited to stop by and enjoy the wonders it has to offer.

3 - How would you define your artistic style? Has it evolved or undergone any changes over time?

Still at the beginning of my artistic journey, I would say I am definitely still evolving and changing how I approach projects and cultivate new pieces of art. I feel strongest when it comes to representational art and rendering from references that I take myself. Additionally, I often incorporate graphic and flat accents. Many of my art pieces can be perceived as moody and serious, which may contrast with how people might describe my personality. However, this is simply because I aim to discover stories that resonate with people on deeper levels."

4 - Can you walk us through your creative process? How do you transform an idea into a tangible piece of work?

If you were to glance into my sketchbook, where I begin all of my ideas, you might question whether I truly am an artist. It primarily consists of stacks of words accompanied by hastily made notes and adjacent ideas that I can build upon. I conduct online and book research on the themes or inspirations I'm working with, and I make a habit of discussing these subjects with others to gain different perspectives. Next, you'll find my thumbnails, which are essentially a collection of boxes filled with shapes and scribbles.

Once, I showed a family member the initial stages of my project ideation compared to the final result, and they couldn't believe how my seemingly random pencil scratches could evolve into a fully realized illustration with thoroughly researched meanings and origins. From my thumbnails, I progress to the sketch—the foundational framework of my finished drawing. This usually undergoes minimal changes towards the end, as I then experiment with color, texture, and lighting. Once I have a clear sense of the desired atmosphere, I begin the creation process.

5 - In terms of inspiration, where do you go to find this? Who were your main influencers and inspirations as you were growing up?

You'll often find me immersed in books, browsing Pinterest for inspiration, and searching for legends and accounts of current events on Google. I enjoy researching cultures and symbolism related to actions or items, with most of my exploration taking place on various online platforms.

My main artistic influences include Drew Merritt, Edward Kinsella, and several other well-known artists. However, my personal influences and inspirations while growing up were individuals closer to me. My mother influences my strength and determination to succeed, while my father instills in me drive, loyalty, and a refusal to give up. Additionally, my sister inspires me to be kind and considerate to those around me. The combination of both personal and professional influences has shaped me into the person I am proud to be. Still, I am also someone who seeks continuous growth and aims to push the boundaries of my creativity.

6 - What advice would you offer aspiring artists or illustrators looking to establish themselves in the industry?

Honestly, I'm still in that same boat with you. I'm still trying to establish myself and make waves within the illustration world. The only advice I've gained and have to offer is: don't give up. Life is hard, and you may have to take up jobs or paths that don't completely align with your dream or artistic vision. This doesn't make you any less of an artist. Find time to continue creating—for yourself. Keep entering competitions and contests, whether you think you're ready or not. Keep making connections, no matter how small or big. Be the one to reach out first, not the other way around. You may be surprised where it will get you if you can be consistent with it. Give yourself grace as you do though. I find I still have to give it to myself as I navigate this journey as well.

7 - Creative roadblocks affect many individuals in our field. How do you unwind and revitalize your creative energy? Are there any hobbies or passions you pursue outside of your work?

Outside of art, I have a few outlets that I lean on to unwind and revitalize. I love being outdoors, moving around, and simply breathing in the air. I enjoy baking muffins and cookies—mostly blueberry muffins or sugar cookies, but I've also been dabbling with different breads. Sometimes, when I need a break from drawing, I lose myself in books for hours, often reading young adult, adventure, or fantasy genres. Spending time with friends is also vital to me. I need to feel like I'm part of a collective and not floating alone in space. My friends help provide that sense of connection each time I spend meaningful time with them. Additionally, I create purposeful moments with my partner. He balances me and never hesitates to be there when I need him. Whether it's going for a drive to buy hot chocolate, preparing a bubble bath for me when I get home, or suggesting new activities for us to enjoy together, he reliably helps remove any roadblocks.

8 - Reflecting on your career, could you share a standout project or collaboration that you consider a highlight? How did the opportunity come about?

I've truly enjoyed the opportunities I've had to illustrate murals and art proposals. I've designed murals for festivals, parking garages, fast-food chains, and youth homes. I've gained these opportunities by reaching out, leveraging connections, and simply putting my name out there wherever possible.

9 - Can you provide a little insight into your current projects and any upcoming plans you have in the pipeline? Is there anything we should be looking out for in the not too distant future?

I'm continuing to create my own personal illustrations over time as I work on building a portfolio for more career opportunities. Currently, I'm freelancing in art, illustrating a children’s book, and applying to more opportunities as they arise. Keep an eye out for my Instagram, where I post all new content and achievements!

10 - What has your experience been like collaborating with 13am thus far, and what motivated you to join forces with us?

So far, it truly has been incredible. Initially, I was apprehensive about it sounding too good to be true and having too few strings attached. However, George Ripton eased those anxieties and explained to me what 13am was trying to do here. I took the leap, and I'm glad I allowed myself to try this new opportunity. I hope to continue doing so!

11 - Looking ahead, what would be your dream project or client to tackle in the future?

My dream project would be to illustrate book covers or page illustrations for literary works. I find that adventure and young adult books offer the most freedom and creativity, but classics also resonate deeply within me, so working with books of that caliber would be amazing as well. Additionally, I'd love to illustrate movie posters or editorial spots that can appeal to a wider audience. I hope one day I get the chance!

12 - To conclude on a lighter note, imagine hosting a dinner party where you could invite four individuals, living or deceased, who would they be and why?

Surprisingly, this may be the hardest question on this list so far! I'd probably have to say my partner because life with him has been an adventure in itself, and I love sharing that together. Next, I'd ask Georgia O’Keeffe to join us and hear about her experiences living in the desert and being an emerging female artist in a different time. Third, I’d invite Edward Kinsella to learn more about what drives him and to gain insight into his artistic process, seeing how he has made an impact on the illustration world. Lastly, I believe I'd invite the model for the Mona Lisa. I've always been curious about who she was, what she did, and what her inner thoughts were. How were they portrayed in her art? Was she painted and depicted accurately?

13 - If you were granted the power of time travel, which historical event would you choose to witness firsthand, and what intrigues you about it?

I think I'd go back to ancient Greece and witness it in its prime. I've always been fascinated by the origins of the stories and myths of the Greek gods and their counterparts. I'd love to see their holidays, celebrations, and traditions as they existed in their early stages. Alternatively, I'd go back to the Renaissance and witness this new era and wave of life and creativity emerge.

 

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George Ripton
George Ripton is a freelance graphic designer/illustrator and a graduate of Shillington College, London.
www.georgeripton.com
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007- Thuy Ly Leova