In the eleventh chapter of the “13th Hour," we engage in a conversation with Hannah Adamaszek, a free-spirited nomadic artist. Her distinctive style seamlessly blends street art with fine art, capturing the essence of existence and the allure of fleeting moments through her serene, female-inspired portraits.

During our dialogue, we delve into Hannah's deep affection for the outdoors and her fervor for fitness, encompassing activities such as running, climbing, and her exploration of Yoga. This journey led her to embark on a passion project creating her own biodegradable Yoga mats. Additionally, we explore her extensive travels from her origins in the UK to Austria, Switzerland, Australia, and her current residence in Southern Spain. This captivating interview unveils a multitude of intriguing insights and experiences from another of our inspiring artists.

1 - At 13am, we aim to celebrate and showcase a broad range of creative roles, disciplines and skillsets. How would you describe yourself and your role within the creative world to those unfamiliar with your work?

I am inspired by the small things in life that make us smile. The feeling of the sun on our skin, saltwater in our hair, and the smell of the plants as we move through the mountains. I want to invite us to calm down, breathe in, and connect with nature and our innermost selves. I paint the zen-like beauty of everyday life, focusing on the light and movement that fall upon the human body. Women like me are my main subject as they bask in the spirit of nature and become a part of it. We keep our faces to the sun and let the shadows fall behind us.

2 - Another aspect that sets 13am apart is our commitment to diversity and representation among our artists. Could you share a bit about your background and where you call home?

My journey began from a young age. I've been creating for as long as I can remember. Dipping in and out of different mediums, I settled on painting as my main form of expression in 2013. On my way here, I studied Art and finished with a Fine Art degree. A few years later, I decided to travel and see the world, working in Austria, Switzerland, and Australia. This made me appreciate life and expand as both a person and an artist.

I've always loved the outdoors, and over the years noticed how it was something I couldn't live without. Running and exploring my local countryside made me feel alive. In 2017, yoga became a part of my life. First as a way to stay fit and injury-free, but afterward, it became much more. It was a way for me to connect with the world, a way to live in the present moment.

Today, I live in the south of Spain. I spend my mornings outside climbing or moving through the mountains. In the afternoon and evenings, I paint. Using large brushes, I put my energy to canvas, leaving a part of me and my experiences for all to see and feel. I build layer upon layer, slowly bringing forward strength and elegance in each portrait.

3 - How would you define your artistic style? Has it evolved or undergone any changes over time?

My work has evolved and changed over time, just as I have as a person. I like to challenge myself, push things further, and grow with them at the same time. Now I use more acrylics and less spray paint, layering and giving more depth. I like how much softer the effect is and how the paint is kinder to the environment. The next step for me will be to try to make my own paint from natural materials and move away from spray paint altogether.

4 - Can you walk us through your creative process? How do you transform an idea into a tangible piece of work?

I normally start with a feeling or memory. I want to try to capture and preserve it. I start by making myself a mood board, with colors and details that are important in what I want to convey. From here, I may sketch a few ideas and compositions to see which will work best, then I get to creating. I make a basic stencil to set up as groundwork for what I overlay on top. I never have a clear idea of how I want the painting to look finished but keep changing, adding, and subtracting until the painting starts to show itself.

5 - In terms of inspiration, where do you go to find this? Who were your main influencers and inspirations as you were growing up?

I take most of my inspiration from nature and my memories of being in it. It's what inspires me the most and gives me motivation to capture it. It's not only the visual aspect of it but also the way that it makes me feel. Growing up, I loved to draw and looked at artists like Toulouse-Lautrec. As I got older, I started to become involved with street art and took inspiration from artists like Conor Harrington and Anthony Lister.

6 - What advice would you offer aspiring artists or illustrators looking to establish themselves in the industry?

To know that it's not an easy path. It takes time and so much effort. You will never fail to learn along the way and grow stronger both with your business and as a person.

7 - Creative roadblocks affect many individuals in our field. How do you unwind and revitalize your creative energy? Are there any hobbies or passions you pursue outside of your work?

When I have a block, I like to get outside and away from overthinking. Sometimes, just turning off and doing something you love, and being in the moment gives you the energy you need. Other times, I feel like I need a short break. In times like now, we feel like we need to be producing constantly and sharing everything we do with the world, but it becomes quite draining, and it's good to take a step away from it all and disconnect.

8 - Reflecting on your career, could you share a standout project or collaboration that you consider a highlight? How did the opportunity come about?

A recent project for me was to make my own yoga mats. It had been something I wanted to do for many years, but I never got lucky enough to work with any yoga mat companies, having tried many times. Last year, I decided to go at it alone and produce my own. It took a long time and lots of research to find a supplier that I wanted to work with, and to make something that is made from natural materials and biodegradable was something important to me. It was a huge investment, but the process from start to finish was a dream come true. Having control over the product and everything that went into it made it extra special.

9 - Can you provide a little insight into your current projects and any upcoming plans you have in the pipeline? Is there anything we should be looking out for in the not too distant future?

I’ve just released a new mini-series of underwater paintings. I have a few projects coming up that I will be working on and some that are soon to be released. I’ve been working on an Oracle Deck with writer Vanessa Tait that will be coming out this year. I’m also about to start working on a new series about reflections and another for licensing some of my yoga paintings for companies to make their own logos and products.

10 - What has your experience been like collaborating with 13am thus far, and what motivated you to join forces with us?

Collaborating is always such a great way to learn from each other and find new ways forward. I was motivated to join forces as we both shared the same passion for art and getting it out to the world.

11 - Looking ahead, what would be your dream project or client to tackle in the future?

I would love to work with some interior designers in the future. Making work for specific spaces to really bring them alive.

12 - To conclude on a lighter note, imagine hosting a dinner party where you could invite four individuals, living or deceased, who would they be and why?

One would be my boyfriend as we always have such an amazing time together. Another would be climbing legend Wolfgang Güllich to hear more about his life and inspirations. The runner Kilian Jornet who is an inspiration for both running and how we can better look after our planet. And lastly, David Attenborough to learn as much as I can from our planet.

13 - If you were granted the power of time travel, which historical event would you choose to witness firsthand, and what intrigues you about it?

To see the first 9a being climbed in 1991. To do something that has never been done or achieved before is incredible.